My pieces can be intensely detailed, and creating them serves as a meditation for me. This intricacy is greatly inspired by my desire to introduce monumentality into my works, and heavily influenced by ancient sites of pilgrimage and devotion such as the now-destroyed Buddhas of Bamiyan in Afghanistan. These are works that could only be done with complete dedication; a pure kind of art, one that creates a feeling of awe in the viewer. While limiting myself in terms of size, I hope to distill the same spiritual sense into my work.

My process is always in flux. Rather than beginning a piece based off of a single moment of inspiration, and therefore creating works that exist as the crystallization of a single past moment, my approach is more fluid. I aim to capture constant inspiration, rather than a single burst.